I lament

Abstract watercolor painting with flowing orange and beige waves, creating a serene and artistic pattern.

Nations that trade pity for comfort, shall find their own names scattered like ash upon the wind.

I lamentthe cries of Palestinians. Their voices, once fierce and full of anguish, cross the seas only to be softened into whispers by Western comfort. What begins as grief becomes a murmur, and even acts of courage—like the Sudum flotilla—are dismissed, turned from symbols of resistance into objects of mockery.

I lamentthe people who weigh a day’s wage heavier than the death of a child. Their fear is not of blood spilled but of coins misplaced. Yet those same coins, hidden in the tributaries of power, are bought and braided into ammunition and missiles, returned as fire upon the very innocents whose voices they refuse to hear. Thus, wage becomes weapon, and indifference metamorphoses into complicity.

I lament the rulers who were once called guardians, but who have stiffened into statues, cold, unseeing, immovable. Their oppositions, once meant to give voice, are hollow echoes, afraid to shatter the silence. Thus leadership becomes a shadow, present in form but absent in deed.

I lament the people who stand, not with the wounded, but with the wielder of the gun, silent allies to the perpetrator, their comfort a mask for their surrender. Thus silence becomes consent, and consent becomes complicity.

I lament our selective outrage. We rage against those who destroy what we call heritage—Palmyra, for instance—yet we cheer those who claim to defend Western morality. Our applause, however, is hollow, for while we lift our voices in admiration, Gaza falls into ruin. Its people suffer, its patrimony erased, and we remain silent, complicit in a violence we refuse to name.

And I lament most of all the final metamorphosis: the exile of the soul. For when a people forsake the grief of others, they forsake themselves. Cruelty becomes their custom, indifference their law. They dissolve not in the light of day, but into a dusk where nations vanish, remembered only by their silence.

They who close their ears to lament will find, at last, that even their own cries return unheard.

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Rocco Maragna

Architect /urban designer, writer, speaker, and an explorer of possibilities, particularly interested in the topic of migration as a natural condition of being human. When he won the ‘Canadian Yearbook Award’ in 1979 with his design for a funeral home, the late jury member James A. Murray said, “Palladio is evidently alive and well with something urban and artistic to offer.” In his 20 years of practice, he was guided by the idea that architecture, with its buildings, is a symbol of the complexity of our society in its constant change. He has dedicated himself to turning architecture into an art form continually on public display, in which grace and beauty are elements for building a sense of community.

He has three children, surrounded by life-loving people, dreamers, and thinkers. With his beloved partner Nancy, he divides his residence between Canada and Italy.

This website, a stop on my journey, was inspired and brought to life by Nancy, who curated the storytelling, images, and copywriting. Thanks to her design skills, organizational acumen, and translation expertise, all wrapped in a veil of patience.

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