The Crime of Language

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The deliberate destruction of a people and their culture has been called many things: eradication, massacre, decimation, genocide. Yet, despite overwhelming evidence, official discourse often avoids the term "genocide," obscuring both moral responsibility and historical fact.

This essay examines the consequences of linguistic suppression in the context of systemic atrocities, exploring how language both conceals and reveals truth, and how memory functions paradoxically to preserve what perpetrators attempt to erase.

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The deliberate act of denying or censoring terminology is not merely rhetorical; it has ethical and social consequences.

The very fact that systems perpetrating mass killings of children, women, the elderly, and, indeed, the natural environment, worry more about linguistics than lives, demonstrates the extent of complicity.

When the system committing human and nature’s genocide prioritizes language over blood, the evidence is complete.

By controlling terminology, governments, media institutions, and international actors shape both narrative and conscience. Those who control the name control the law, the moral frame, and public perception.

History repeatedly demonstrates this choreography of concealment: control information, silence witnesses, suppress evidence; control language, forbid the use of terms like “massacre” or “genocide”; control response, delay moral outrage until it dissolves into apathy. Avoiding the term genocide is thus not mere silence; it is active complicity. By censoring language, the system shields not only itself but its own population from moral reckoning, diminishing recognition of the factors that may have enabled the atrocity.

While perpetrators may attempt to suppress acknowledgment, historical memory persists, often paradoxically. Western civilization marks events such as the Holocaust and October 7th each year, honouring some histories while obscuring others, the genocides committed against other peoples remain unrecognized. Yet, by marking the date, history itself ensures that the genocide is remembered, even if inadvertently, by the very perpetrators who celebrate the day. Annual commemoration thus functions both as a reminder of what was done and a reflection of the tension between public memory and moral accountability.

Language is not neutral in the context of atrocity. Calling a crime genocide is a moral act: it challenges denial, acknowledges victims, and asserts historical truth. To erase or avoid the word is to participate in the crime linguistically. Conversely, naming the atrocity preserves the possibility of ethical reflection, legal action, and historical remembrance.

We have the word “genocide”; we must not be afraid to voice it.

If language falters, if truth is buried beneath euphemism, diplomacy, and fear, humanity risks becoming archivists of atrocity rather than witnesses. Memory preserves facts, yet cannot fully undo the harm, nor absolve the living of responsibility.

The paradox remains: commemoration ensures recognition, yet the act of remembrance may also reflect the very forces that perpetrated the crime.

The challenge, and the ethical imperative, is to maintain the integrity of language, to acknowledge the full scope of suffering, and to ensure that history—not euphemism—shapes conscience and accountability.

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Rocco Maragna

Architect /urban designer, writer, speaker, and an explorer of possibilities, particularly interested in the topic of migration as a natural condition of being human. When he won the ‘Canadian Yearbook Award’ in 1979 with his design for a funeral home, the late jury member James A. Murray said, “Palladio is evidently alive and well with something urban and artistic to offer.” In his 20 years of practice, he was guided by the idea that architecture, with its buildings, is a symbol of the complexity of our society in its constant change. He has dedicated himself to turning architecture into an art form continually on public display, in which grace and beauty are elements for building a sense of community.

He has three children, surrounded by life-loving people, dreamers, and thinkers. With his beloved partner Nancy, he divides his residence between Canada and Italy.

This website, a stop on my journey, was inspired and brought to life by Nancy, who curated the storytelling, images, and copywriting. Thanks to her design skills, organizational acumen, and translation expertise, all wrapped in a veil of patience.

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